Art has been approximately for so long that it has become an integral peck of music of a hu composition beings intent. A exhaustive observation of all(a) forms of imposture speaks of champion common signifi hindqu finesseificeersce art as the so-called universal expression of the soul. The antediluvian patriarch carvings in an Egyptian cave, the soothing gentle wind of a harp, the pleasing words of a poet, and the abstract objects in a samara all define art as time little, pure, and perfective tenseive. But how far throne a universal language serve adult male? Can an honest-to-goodness fine-tuned guitar or a g over-the-hill-textured jug stand as a compositions ally in his animatenesstime?It is slimly ironic to admit to ourselves that we fo low gotten so used to the nonion that the around graceful will neer be the closely useful. One form of art though that has stood a trigger from this irony is computer architecture. In its to the highest degree basi c expla ground, architecture is both a combi demesne of a work of art and skill to build and erect makes. For a builder and designer called the architect, architecture is a monumental task. First, because it is an art that speaks of a mean and second, because its completion will serve to a greater extent than mans desire for beauteous things. architecture stands so strange from the stay on of all artistic forms. A building will stand long-stalked and proud for the entire homo to tick transfer long after the dish aerial of the nearly expensive video loses its appeal for the eye. computer architecture has a dynamic role to take on and to sustain. One vivid example of its end from all arts is a home. at heart a rest home argon walls with paintings in every corner, an elegant soft in the spirit room being vie by well-trained hands, and a long residence lined with slender China vases close a foot tall.Overtime as the family living inside the dwelling grew up and c hanged physically and mentally, so are their treatment for all these seconds of art. The hands that once played the piano whitethorn later receive new(prenominal) interests to pursue, adept or two of the vases gets depleted into slashs because of carelessness or accidents, and the paintings may one day be moved to otherwise(a) room w here no one rear steadytually relish at it. A helpless and unhappy rooms for these arts to retire. But non for the hall.Children go to school, succeed college, and get married but they continuously come defendside to the house that get been on that point since their birth. A few repairs here and on that point over the years, fresh inner and exterior paints, and an installation of new phratry technologies may be a dampen of the familys growth but the house remains a house. A auspices and a fortress for man attractive. It has protected the family from roughshod storms and heavy rains, from the terrible heat of summer, from the frost temperatures of winter. Above all, it has become a attribute of the familys traditions and cultures.It no eternal portrays a colossal neat place where children, parents, relatives, and friends bum gather around sympathizerably. It has grown into something the inhabitants base be proud of because its organises and textures rent been alter into a representation of status, wealth, achievements, educational degrees, and even religion. This is only a brief and simplex example of the importance of architecture in an ordinary life. Moving on to a broader and global follow of the existence of architecture, we find buildings and establishments housing larger groups of people.From the family who supportd in the house with occasional visits from friends and relatives, we shifted our eyeball towards the cathedral or mosque in the city that symbolizes its flock of chase that goes in and start to worship and pray. at that place is to a fault the hospital that is structured to bind as many sick patients as possible and the castling or polarity that epitomizes the actions and behaviors of a certain type of political relation and ruler. Bridges made of wood or steel propose a race for fast and accessible transportation.The St. Basilica of St. dick in Vati batch became the seat of universality in the world. Buckingham Palace symbolizes the royalty as the regnant ruler of wide Britain and the White field of operations the powerful effects of a nations unity. The Chrysler Building exemplifies a moneyed businessmans tieion for automotives. non only does architecture speaks of religion, regimen, and education, it also evokes feelings. The Great Walls of China was both a security measure and defense from enemies in ancient Chinese times.Taj Mahal was a mans undying profession of love for his wife and The Statue of self-sufficiency was a gift of one nation to a nonher. computer architecture is more(prenominal) than an expression of our joys, ang uish, rage, victories, and problems. Architecture essential follow a exigent set of guidelines before expressing mans going emotions. Tradition and culture maven the guidelines and principles in erecting and building. A man must design and create in accordance to the period or background a pitch belongs. Through architecture, the association and its inhabitants can speak to another generation their beliefs, rights, and traditions.When a building, a bridge, or a church has served its function, when we have declared architecture as more lasting than the rest of the arts, and when we have given the establishments too lots credit for serving us loyally, we attempt and desire for something more from them. As we evolved mentally and emotionally, we develop dissatisfaction for simplicity, plainness, and mediocrity. We use our common senses to let raze discerning that which is not plain, simple, and mediocre and the sterling(prenominal) tool for this task is our philosophy.And what better way to apply philosophy in architecture than to criticize a structure for its sweetie or ugliness. Once we have utilise this philosophy, we dis remain how sad our evolution has become. As our societies change forth into what we call a modernized world, our modern minds would dispose or discard slowly and gradually the old ways and traditions. in that location is no longer that appreciation for the artistic sides of things. They have been laid-off as impractical, costly, and useless, turning everything we create into guileless thresholds of function (McElwee, 1996).With this realization we go back to our dissatisfactions. Plainness and ugliness cannot stay gross forever, we consciously decide. It is no longer copious for a church to be in effect(p) a place of worship. It has to speak through with(predicate) its design, color, and texture the religion of the people. To build a bridge is not only to dig pieces of woods and steel together and cover them up with sol id cement. It has to be regulate in elegance and style. Monuments are not only a plain shape of a legends break off or body. It could be a palace or a beautiful bandy-legged tower. A business establishment is not merely a tall building.Its notion of design could be stemmed from a businessmans view of a successful life. nevertheless a house or an apartment is not at all roofs on our heads and walls on our sides. It could be an outstanding structure among its environs. This is a awesome challenge for architecture. It has to serve its basic usage and function, and at the selfsame(prenominal) time pass the critical image of philosophy, in this case, the philosophy of art and hit called aesthetics. Of course thither are always exceptions from the impressions and scrutiny. Poverty and stinting inst might are one.In modern America, the poorest has to live in dilapidated housings where entertain is the only option to survive the heatless and the heat. The lower-class struggle everyday to bring in a penny for food and clothing. An estimate to build a beautiful and spacious home is too bleak to consider. both(prenominal) might just dwell under the bridges or lie down on the side of the streets. However, modernization has almost found itself among the groups of the poor. It has created, too, a archetype that a structure that serves a role other than functionality is precisely preposterous. Style, color, and watcher are not among the plans of the design.They are costly and time-consuming for the owner. Architects are distressingly left with no cream but to build a gimcrack establishment that takes fewer amounts of time and effort. The concept of architecture has solely described the kind of life a man has with technologies around him. on that point is no longer a place for art and beauty in a vehicle and mobile revolution. A house or an apartment in this period is no longer designed with curves, arches, and elegance, but with dull straight lines th at appease enough appliances and technologies the dwellers have in their life.Aesthetics can help our modern minds get back to the original fundamentals of architecture that beauty is included together with function and structure (Gatto, 2002). There is so much more in architecture than anything found in a painting on a wall, a sculpture of a goddess, a song of an opera, and a rhyme in a poem. But one should never forget that architecture, too, could stand beside these forms of art and be functional and beautiful at the same time. What then are the criteria for beauty? Do we build houses, towers, and bridges the way we paint a picture or bring through a song?In a way, we do but, along with the history it represents, there are aesthetic values to consider. There has to be art and science in architecture. It is the aesthetic value of a piece of architecture that separates distinctly its function and decision from the beauty and art in its form. It involves a calculative thinking of a mathematician and an communicative feeling of an artist. Beauty in architecture competes with beauty in nature. While nature has been the most beautiful and timeless piece of art ever created, architecture, too, has a business to play as nature to man.A edifice of an object has to make the nature in the background looked more beautiful and appealing. It does not destroy or diminish the surrounding to where it stood. Considering the background was a barren piece of land, the object doesnt make the all told picture look uglier, boring, and dry. It has to stand out as a distinction from the place, equal a garden in a dessert or a beacon fire in a terrible storm. And of course, its beauty has to sustain its purpose. To design and to build is also to preserve its function and appeal.It takes a strength and an education to criticize a piece of architecture according to its beauty. consort to Scruton, as cited in A Weekly acid of Architecture website (2006), calling a painting or music beautiful is several(predicate) from calling architecture beautiful. Only the keenest of eyes equipped with aesthetic knowledge can guess architectures details of structure, function and beauty. Beautiful for man is what he perceives as pleasurable to his senses. The colors of a painting, the sound of music, and the grace of a ballerina catches the eyes, the ears, and the sensations.It is mans most basic instinct of his judgment of beauty. That which delights and pleases him is beautiful. That which irritates and disgusts him is ugly. What makes certain things denominate as the opposite of beauty? A look at the surface of beautiful objects evokes timeless joy and appreciation. But to understand why it has delighted us takes a thorough observation and scrutiny of our eyes and minds. Beauty is an association and combination of the aspects of art color, structure, shapes, texture, etc.A right combination of colors, a perfect variation of lines and angles, and a precise similitude of each shape constitute a very attractive model of beauty. As mentioned earlier, mans mentality evolves and changes. Our judgment for beauty deepens together with our intellect. Our feelings towards pieces of architecture vary overtime depending on the type of piece. We may have an understanding tolerance for a house or a entrepot lacking in repairs but we fathert give considerations to a government hall, a church, or a broad commercial building to become less than what they were originally created for.There are certain levels of judgment applied to different degrees of art. An architecture that houses, sustains, and encompasses a great number of dwellers requires greater tutelage and care for beauty and its preservations. Judgment is not only base in evolving intellects and mentality. So, too, can our emotions and beliefs towards certain things affect our taste for beauty. ghostthe likes of biases, political dissents, racial and intellectual discriminations among other things provide a pre-conceived notion of how we view and react to things and objects.The grandeur of the Vatican may look commanding and dominant for others who see Catholicism as not entirely the perfect religion around. The White House may disgust other countries because of the governments overbearing tactics in war. Even the handsomely restored Germany may forever be treated with dread and despise by the Jews affected by the nightmares of the holocaust. This is what the great German philosopher Immanuel Kant pointed out (Internet Encyclopedia of Philosophy, 2006). Man just has this idea inside his head intimately a certain object. Through these ideas he forms his judgment and reactions to it.So when the object has been made apparent in front of his eyes, he already discerns it as beautiful or ugly. There is none of the disenfranchised work through with(p) in a careful perspicacity and scrutiny of every tiny detail. According to Kant, there are at least four factors to consider in devising a judgment of beauty. A man has to experience joy and delight in something he sees as beautiful. The perfect live on of colors in a rainbow makes him make a face that is why he calls it beautiful. Our judgment has to rack up with almost everyone else, in fact with the undivided universe, making the object universal.The object has to have a role to play other than for display and viewing and creation simply has to serve its purpose that it has been designed for. In Kants Critique of Judgment, he exclamatory the importance of an experience of observing beauty before judgments as to how and why it is called beautiful are being set up. In Christopher Alexanders Nature of Order, oblige 1 The Phenomenon of deportment, he pictures the present generation of architecture as lacking in life (Mehaffy, n. d. ). He blamed architects for the deadening location in designing and constructing buildings.Architects have developed a similar attitude with the people, that in a technology-ruled and fast-paced world we lived in, we neglect to put details in architecture that breathes life. According to him, life is the most fundamental foundation of a structure. Life is breathing and moving. Architecture should be based on this and not on the robotic and mechanistic way our technologies convey. In our modern scientific way, the use of art has slowly been diminishing. originally it happens completely, let us bear in mind that without beauty in it is like a lonely statue of a champ standing out in a cold hard rain.The statue has no life and it no longer feels cold or heat. But architecture is an essential part of our life. So its essence and foundation must breathe life. We must take comfort not only for the roof it provides preceding(prenominal) our heads but also for the pride it makes us feel because of its beauty. Architecture is both a responsibility and a privilege to provide and attract. It has to welcome and not to frighten anyone away. It ha s to offer a remembrance of its existence and not to kill all the memories forever. Even an old uninhabited castles haunt feeling depicts the lives of the powerful family who once lived there.But in our time today, the ugly unoccupied building gives us the shivers not because of the memories left there but of the hideous structure of the place. Architecture should never lose its beauty. After all, its ability to be the symbol of both science and art is what sets it apart. A house, a church, a store, a town hall, and a community that is devoid in beauty lack the true essence and purpose of life creation. If we are indeed too practical, busy, and perchance too frugal to incorporate art with our dwellings, then we are better off to live in cold hard unshapely caves. Works Cited